"My Soul Is A Witness" : Reimagining African American Women's Spirituality and the Black Female Body in African American Literature |
Autore | Henderson Carol |
Pubbl/distr/stampa | Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2021 |
Descrizione fisica | 1 electronic resource (138 p.) |
Soggetto topico | Religion & beliefs |
Soggetto non controllato |
health
healing ancestral mediation illness activism women's rights spirituality Oshun eroticism God Oya ghost spirits honey storms caul the amen corner james baldwin black feminism sermon art literature music black preacher religion gospel music Thomas Dorsey Nettie Dorsey blues maternal death infant mortality hapticality Gnosticism womanist theology African American women Toni Morrison Song of Solomon Paradise The Source of Self-Regard Phillis Wheatley race Thomas Jefferson Christianity African American women writers 1970 extra-naturalism African American women's spirituality nommo multimodal narrative self-actualization community asylum hill project naming pre-emancipation genealogy grounds of contention (in)visible revisionist interrogation spiritual translation uppity womanist |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Altri titoli varianti |
âMy Soul Is A Witnessâ
“My Soul Is A Witness” |
Record Nr. | UNINA-9910557316803321 |
Henderson Carol | ||
Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2021 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
1989 [[electronic resource] ] : Bob Dylan didn't have this to sing about / / Joshua Clover |
Autore | Clover Joshua |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
Descrizione fisica | 1 online resource (205 p.) |
Disciplina | 781.6409/048 |
Soggetto topico |
Popular music - 1981-1990 - History and criticism
Rap (Music) - History and criticism Underground dance music - History and criticism Grunge music - History and criticism Nineteen eighty-nine, A.D |
Soggetto non controllato |
acid house
bands cultural studies de la soul dr dre entertainment industry fall of the berlin wall gangsta rap george micheal grunge music historical history jesus jones lyrical theory madonna media studies music studies music musicians nine inch nails nirvana nwa performing arts political aesthetics politics pop music popular music public enemy rap music retrospective roxette singers social context the end of history the klf the scorpions u2 |
ISBN |
1-282-77263-5
9786612772634 0-520-94464-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Prologue -- Introduction: The Long 1989 -- Part One. 1989 (the unconfined unreckoned year) -- Part Two. "1989" (a shout in the street) -- Epilogue -- Acknowledgments -- Notes -- Works Cited -- Index |
Record Nr. | UNINA-9910792447403321 |
Clover Joshua | ||
Berkeley, : University of California Press, c2009 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
1989 [[electronic resource] ] : Bob Dylan didn't have this to sing about / / Joshua Clover |
Autore | Clover Joshua |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
Descrizione fisica | 1 online resource (205 p.) |
Disciplina | 781.6409/048 |
Soggetto topico |
Popular music - 1981-1990 - History and criticism
Rap (Music) - History and criticism Underground dance music - History and criticism Grunge music - History and criticism Nineteen eighty-nine, A.D |
Soggetto non controllato |
acid house
bands cultural studies de la soul dr dre entertainment industry fall of the berlin wall gangsta rap george micheal grunge music historical history jesus jones lyrical theory madonna media studies music studies music musicians nine inch nails nirvana nwa performing arts political aesthetics politics pop music popular music public enemy rap music retrospective roxette singers social context the end of history the klf the scorpions u2 |
ISBN |
1-282-77263-5
9786612772634 0-520-94464-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Prologue -- Introduction: The Long 1989 -- Part One. 1989 (the unconfined unreckoned year) -- Part Two. "1989" (a shout in the street) -- Epilogue -- Acknowledgments -- Notes -- Works Cited -- Index |
Record Nr. | UNINA-9910815011903321 |
Clover Joshua | ||
Berkeley, : University of California Press, c2009 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
Autore | Ashby Arved Mark |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
Descrizione fisica | 1 online resource (333 pages) |
Disciplina | 781.49 |
Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
Soggetto non controllato |
absolute instrumental music
aesthetics art music classical music contemporary world historical listening to music live arts mechanical reproduction music criticism music critics music historians music history music recordings music scholars music musical contexts musical culture musicology nonfiction performing arts recording technology recordings and sound socially progressive students and teachers |
ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
Record Nr. | UNINA-9910781129403321 |
Ashby Arved Mark | ||
Berkeley, : University of California Press, c2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
Autore | Ashby Arved Mark |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
Descrizione fisica | 1 online resource (333 pages) |
Disciplina | 781.49 |
Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
Soggetto non controllato |
absolute instrumental music
aesthetics art music classical music contemporary world historical listening to music live arts mechanical reproduction music criticism music critics music historians music history music recordings music scholars music musical contexts musical culture musicology nonfiction performing arts recording technology recordings and sound socially progressive students and teachers |
ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
Record Nr. | UNINA-9910808751903321 |
Ashby Arved Mark | ||
Berkeley, : University of California Press, c2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Advances in the Neurocognition of Music and Language |
Autore | Sammler Daniela |
Pubbl/distr/stampa | Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2020 |
Descrizione fisica | 1 electronic resource (338 p.) |
Soggetto topico | Psychology |
Soggetto non controllato |
statistical learning
implicit learning domain generality information theory entropy uncertainty order n-gram Markov model word segmentation phonetic language aptitude intrinsic singing singing ability musical aptitude working memory implicit prosody rhythm sensitivity event related potentials reading achievement sensorimotor learning sequence production sequence planning feedback monitoring EEG N1 FRN music performance music cognition altered auditory feedback language disorder rhythm prosody preconceptual meaning affective vocalizations action-oriented embodied approach affect burst speech prosody musical expressiveness speech envelope neural entrainment Music training longitudinal study children with dyslexia Mismatch Negativity (MMN) syllables beat deafness music speech entrainment sensorimotor synchronization beat-finding impairment brain oscillations Prosody Phrasing Perception Melody reading meter lexical stress event-related potentials poetry melody perception tonal language inferior frontal gyrus priming effect language syntax attention comprehension electroencephalography semantics speech comprehension singing N400 event-related brain potentials (ERPs) functional near-infrared spectroscopy (fNIRS) infant song ERP familiarity recognition polarity developmental dyslexia Iambic/Trochaic Law rhythmic grouping musicality speech perception rhythm perception |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910557324503321 |
Sammler Daniela | ||
Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2020 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The advent project [[electronic resource] ] : the later-seventh-century creation of the Roman mass proper / / James W. McKinnon |
Autore | McKinnon James W. <1932-> |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2000 |
Descrizione fisica | 1 online resource (483 p.) |
Disciplina | 782.32/35/094563209021 |
Soggetto topico |
Mass (Music) - 500-1400
Propers (Music) - 500-1400 - History and criticism Gregorian chants - History and criticism Church music - Catholic Church |
Soggetto non controllato |
alleluia
ancient world augustine benedictine chants bible chants christian chant christianity church history cloister early church gregorian chants history hymn liturgy medieval monasticism monks music history music musicology nonfiction piety poetry religion religious communities religious isolation religious music religious practices religious studies spirituality worship music worship |
ISBN |
0-520-92433-9
1-59734-452-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Tables -- Acknowledgments -- Introduction -- I. The Prehistory -- II. The Seventh-Century Roman Background -- III. The Advent Project -- Epilogue: The Central Question of Gregorian Chant -- Notes -- Works Cited -- Index |
Record Nr. | UNINA-9910780081103321 |
McKinnon James W. <1932-> | ||
Berkeley, : University of California Press, c2000 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The advent project [[electronic resource] ] : the later-seventh-century creation of the Roman mass proper / / James W. McKinnon |
Autore | McKinnon James W. <1932-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2000 |
Descrizione fisica | 1 online resource (483 p.) |
Disciplina | 782.32/35/094563209021 |
Soggetto topico |
Mass (Music) - 500-1400
Propers (Music) - 500-1400 - History and criticism Gregorian chants - History and criticism Church music - Catholic Church |
Soggetto non controllato |
alleluia
ancient world augustine benedictine chants bible chants christian chant christianity church history cloister early church gregorian chants history hymn liturgy medieval monasticism monks music history music musicology nonfiction piety poetry religion religious communities religious isolation religious music religious practices religious studies spirituality worship music worship |
ISBN |
0-520-92433-9
1-59734-452-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Tables -- Acknowledgments -- Introduction -- I. The Prehistory -- II. The Seventh-Century Roman Background -- III. The Advent Project -- Epilogue: The Central Question of Gregorian Chant -- Notes -- Works Cited -- Index |
Record Nr. | UNINA-9910827516403321 |
McKinnon James W. <1932-> | ||
Berkeley, : University of California Press, c2000 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Aesthetics and subjectivity : from Kant to Nietzsche / / Andrew Bowie |
Autore | Bowie Andrew <1952-> |
Edizione | [Second edition, completely re-written and updated.] |
Pubbl/distr/stampa | Manchester, UK : , : Manchester University Press, , 2003 |
Descrizione fisica | 1 online resource (354 pages) : digital file(s) |
Disciplina | 111/.85/094309033 |
Soggetto topico |
Aesthetics, German - 18th century
Aesthetics, German - 19th century Aesthetics, Modern - 18th century Aesthetics, Modern - 19th century Subjectivity |
Soggetto non controllato |
Critique of Judgement
Critique of Practical Reason Critique of Pure Reason Friedrich Schleiermacher German politico-philosophical manifesto Romantic thought STI aesthetic theory conceptions of language hermeneutics human subject modern philosophy music post-Kantian history post-structuralism pragmatism |
ISBN |
1-84779-512-9
0-7190-5784-1 1-5261-3723-2 1-84779-033-X 1-280-73392-6 9786610733927 1-4175-7799-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preface to the second edition --Introduction --1. Modern philosophy and the emergence of aesthetic theory: Kant --2. German Idealism and early German Romanticism --3. Reflections on the subject: Fichte, Hölderlin and Novalis --4. Schelling: art as the 'organ of philosophy' --5. Hegel: the beginning of aesthetic theory and the end of art --6. Schleiermacher: art and interpretation --7. Music, language and literature --8. Nietzsche and the fate of Romantic thought --Conclusion --Appendix: The so-called 'Oldest system programme of German idealism' (1796) --References --Index. |
Altri titoli varianti | Aesthetics and subjectivity from Kant to Nietzsche |
Record Nr. | UNINA-9910146930903321 |
Bowie Andrew <1952-> | ||
Manchester, UK : , : Manchester University Press, , 2003 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Aesthetics and subjectivity : from Kant to Nietzsche / / Andrew Bowie |
Autore | Bowie Andrew <1952-> |
Edizione | [Second edition, completely re-written and updated.] |
Pubbl/distr/stampa | Manchester, UK : , : Manchester University Press, , 2003 |
Descrizione fisica | 1 online resource (354 pages) : digital file(s) |
Disciplina | 111/.85/094309033 |
Soggetto topico |
Aesthetics, German - 18th century
Aesthetics, German - 19th century Aesthetics, Modern - 18th century Aesthetics, Modern - 19th century Subjectivity |
Soggetto non controllato |
Critique of Judgement
Critique of Practical Reason Critique of Pure Reason Friedrich Schleiermacher German politico-philosophical manifesto Romantic thought STI aesthetic theory conceptions of language hermeneutics human subject modern philosophy music post-Kantian history post-structuralism pragmatism |
ISBN |
1-84779-512-9
0-7190-5784-1 1-5261-3723-2 1-84779-033-X 1-280-73392-6 9786610733927 1-4175-7799-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preface to the second edition --Introduction --1. Modern philosophy and the emergence of aesthetic theory: Kant --2. German Idealism and early German Romanticism --3. Reflections on the subject: Fichte, Hölderlin and Novalis --4. Schelling: art as the 'organ of philosophy' --5. Hegel: the beginning of aesthetic theory and the end of art --6. Schleiermacher: art and interpretation --7. Music, language and literature --8. Nietzsche and the fate of Romantic thought --Conclusion --Appendix: The so-called 'Oldest system programme of German idealism' (1796) --References --Index. |
Altri titoli varianti | Aesthetics and subjectivity from Kant to Nietzsche |
Record Nr. | UNISA-996543163703316 |
Bowie Andrew <1952-> | ||
Manchester, UK : , : Manchester University Press, , 2003 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|